. A true artist is one who can create origionality regardless of the medium..A craftsman is a person who can take someone's design and make it...A Windsor chair for example. And, then there is me, who can create a perfectly good design and screw it up....All BS aside, same with the polite smoke blowing at the seat of the pants , you fall into one of those two groups. You are either leading or following. And, no matter how hard the spin, you use ,how damaging to the ego......you still fall into one of those two groups.        You have creativity within you, it wants to come out..Once you let it loose, there will be no end of ideas, nor a life time to get them done.  So, if I bruised your ego, no problem, egos only lie to you, and tie you down as effectively as if chains were used...Leave the herd and see where you go..At least field muffins will not be a danger, cordially Nad aka KingNad

The way I look at an wood carving artist is!

This would be someone who has carved for a while and is able to take an Idea, A piece of wood , lots of research on the subject they wish to portray, and some form of pattern, Then turn it into an original Carving. Wood Carvings are a form of art that should be considered an art form not a hobby. Wood Carving is not whittling of making chips. It is more than wood carving tequniquecs and finish as judjed in most wood carving shows. Oh No there go the hackels of Judges but art and form are an important portion of the finished product. Art Shows feel we whittle out the piece and are a hobby so what is ART?

From my blog

Deciding on a subject to carve a better looking item.

I know you’re new at this and all of this discussion just overwhelms a beginner, but how do you learn?

Pick something that inspires you or you are interested in. Carousel horses, faces, humans, Indians there are many to choose from. So pick one and try and find as many pictures of the subject as you can. Research here will improve the carving. Children’s coloring books offer good patterns for the beginner. If you can find a toy of ceramic figure of the thing your going to carve as a reference on the table in front of you as you carve. The pictures, and figure are not to copy but to get you to see the item you intend to carve. When I carve a face I may have as many as 10 pictures I use. There may be a wrinkle pattern on one, a nose on another, mouth and so on. I do suggest the following.

1. Find the best picture you can of the subject from a direct frontal and direct side or profile view. I once did a bust of Ronald Reagan and the front view picture was all that I used. Without a good profile, no matter how hard you try the face is only close to a good rendition. As few as 50% could even see his likeness even though the carving perfectly copied the picture.
2. Consider that most pictures are not square to the subject and this will throw off the perspective and therefore the carving. Tracing a picture, enlarged pictures from a copy machine are fine for an outline only. Leave a 1/16 or so extra wood to correct problems.
3. Try and capture motion in the carving. A man straight up and no action will look just that. Eyes looking straight ahead kill a carving, with a stare. Smooth clothing looks false. Plan all of this in your mind before you start removing any wood. Research, and more research now will make the carving look great.
4. Consider the wood you use, and the grain. Basswood carves easy, has no real grain, has the problem of fuzz and sanding is not what I call great. Butternut, avocado, birch, cherry have color, grain and add to the carving later. Walnut is dark and hides detail after finishing so consider that the lighting will always need to be bright. Firewood and found wood are free and mistakes burn well. I find that cracks and defects in found wood add to the subject matter with just a bit of planning. Many of my fencepost carvings have a base of the original wood finish and blend into the carving.

Rick